I make tactile objects where the evidence of the hand is part of the design: carved edges, woven rhythms, burnished surfaces and tiny irregularities that make every finished piece singular.
A craft practice built around material honesty, repeatable hand skills and objects that reward close looking.
I work across hand carving, loom weaving, natural-dye finishing and small furniture objects. My studio starts with the material rather than a fixed shape: I listen to grain, tension, weight and texture, then build a form that lets those qualities remain visible. Every commission is developed through samples, physical tests and a final hand-finishing pass. The goal is not factory-perfect sameness; it is considered consistency with room for the maker's mark.
Expertise is shown as a material vocabulary rather than a percentage score, because craft depth lives in technique, judgment and touch.
Relief carving, edge softening, hand-planing and joinery for sculptural and functional pieces.
Small-format textile structures, natural fibres, tension control and rhythm-led surface studies.
Botanical dye baths, layered tones and restrained finishing for cloth, paper and wood accents.
Commissioned and self-initiated pieces where technique, utility and material character meet.
A three-piece seating study in ash and woven linen, developed through hand-shaped edges and a circular joinery motif inspired by the halo mark used throughout the studio.
Wall textile in undyed cotton and indigo-dipped yarn, commissioned for a private residence.
Hand-carved serving set following the natural curve of reclaimed mango wood.
Natural-dye sampler exploring layered saffron, bark and leaf tones on handwoven cloth.
A tactile four-stage process keeps each project grounded in testing, making and thoughtful finishing.
Understand the brief, space, use case and the material qualities that should lead the piece.
Make small physical studies to test proportion, grain, weave, colour and construction before committing.
Build slowly with hand tools and repeatable workshop methods, documenting useful discoveries along the way.
Sand, burnish, wash, oil or stitch by hand until the object feels resolved without losing its character.
For commissions, collaborations, workshops or material-led conversations, send a short brief and I will reply with the next practical step.
Commission window
Selected projects · 2026
Typical response · within 2 business days