Brand identity · 2026
Orbit House
A culture-forward identity built from oversized type, angular marks and a modular color code for print and digital.
01 / Graphic Designer / Visual Systems
Ideas
cut sharp.
A graphic designer shaping identities, campaigns and editorial worlds through bold typography, decisive composition and color with a pulse.
MIRA
VALE
VALE
TYPOGRAPHY / COLOR / FORM
02 / The practice
Make the
message visible.
Graphic design is the controlled collision of meaning and form. I turn strategy into visual systems that can live across posters, packaging, editorial pages, campaigns and digital surfaces.
Structure gives the idea a frame.
Contrast gives it a voice.
Contrast gives it a voice.
My process moves from references and rough marks to a flexible visual language. I care about hierarchy, rhythm, type pairing, production detail and the tiny decisions that make a piece feel authored rather than assembled.
0Identity & campaign projects
0Editorial systems
0Packaging launches
0Years designing
03 / Selected work
Four visual
directions.
A mix of identity, editorial, campaign and packaging work. Each project begins with a single visual tension and ends as a system that can keep moving.
Editorial · 2025
Afterimage
A cover and inside-page system where expressive typography creates pace across a quarterly arts journal.
Campaign · 2025
Signal / 26
Launch graphics for a design conference, using diagonal crops and kinetic type to turn information into energy.
Packaging · 2024
FWD Studio
A shelf system for a contemporary consumer label, balancing high-contrast color blocks with a disciplined typographic grid.
04 / Toolkit
Craft, direction,
and the cut.
Expertise is shown as a five-dot studio scale rather than generic percentage bars, a compact language that feels closer to critique, craft and iteration.
Visual identity
Marks, color systems, type direction and brand rules that remain distinctive without becoming rigid.
Art direction
Concepting, reference worlds, image direction and campaign composition with a clear visual thesis.
Editorial design
Grid systems, expressive type and page rhythm for print pieces that reward both scanning and close reading.
05 / Working rhythm
Brief > tension >
visual system.
A deliberately compact process keeps the concept visible while leaving room for experiments, wrong turns and the final sharp edit.
Frame
Clarify audience, message, constraints and the one thing the design must make impossible to miss.
Cut
Reduce the visual field until one strong idea can carry the composition without decoration doing the talking.
Compose
Build type, image, color and geometry into a repeatable language that works across the real deliverables.
Refine
Pressure-test hierarchy, spacing, production details and accessibility before the work leaves the studio.
06 / Contact
Have a brief?
Let's cut into it.
For identity systems, campaigns, editorial design, packaging or a focused art-direction sprint, send a short project note.
✉ mira@inkrift.example☎ +1 312 555 0119
◎ Chicago, IL